Drawing of a bunyip, 1890First reportedEarly 1800sCountryAustraliaRegionThroughout AustraliaHabitatWaterThe bunyip is a large from, said to lurk in, riverbeds, and.The bunyip was part of traditional Aboriginal beliefs and stories throughout Australia, while its name varied according to tribal nomenclature. In his 2001 book, writer Robert Holden identified at least nine regional variations of the creature known as the bunyip across Aboriginal Australia. The origin of the word bunyip has been traced to the or Wergaia language of the Aboriginal people of, in South-Eastern Australia. Europeans recorded various written accounts of bunyips in the early and mid-19th century, as they began to settle across the country.

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Contents.Name The word bunyip is usually translated by Aboriginal Australians today as 'devil' or 'evil spirit'. This contemporary translation may not accurately represent the role of the bunyip in pre-contact or its possible origins before written accounts were made. Some modern sources allude to a linguistic connection between the bunyip and, 'a mythic 'Great Man' who made the mountains and rivers and man and all the animals.'

The word bahnyip first appeared in the in 1812. It was used by James Ives to describe 'a large black animallike a seal, with a terrible voice which creates terror among the blacks.' By the 1850s, bunyip was also used as a 'synonym for impostor, pretender, humbug and the like' in the broader Australian community. The term was first coined in 1853 to describe Australians aspiring to be aristocrats.

In the early 1990s, Prime Minister used this term to describe members of the conservative opposition. The word bunyip can still be found in a number of Australian contexts, including place names such as the (which flows into in southern ) and the town of, Victoria.Characteristics. Bunyip (1935), artist unknown, from the digital collections, demonstrates the variety in descriptions of the legendary creature.Descriptions of bunyips vary widely.

George French Angus may have collected a description of a bunyip in his account of a 'water spirit' from the Moorundi people of the before 1847, stating it is 'much dreaded by them. It inhabits the Murray; but. They have some difficulty describing it.

Its most usual form. Is said to be that of an enormous starfish.' The Challicum bunyip, an outline image of a bunyip carved by Aborigines into the bank of Fiery Creek, near, Victoria, was first recorded by The Australasian newspaper in 1851. According to the report, the bunyip had been speared after killing an Aboriginal man. Antiquarian Reynell Johns claimed that until the mid-1850s, Aboriginal people made a 'habit of visiting the place annually and retracing the outlines of the figure of the bunyip which is about 11 paces long and 4 paces in extreme breadth.'

The outline image no longer exists. Robert Brough Smyth's Aborigines of Victoria (1878) devoted ten pages to the bunyip, but concluded 'in truth little is known among the blacks respecting its form, covering or habits; they appear to have been in such dread of it as to have been unable to take note of its characteristics.' The bunyips presumably seen by witnesses, according to their descriptions, most commonly fit one of two categories: 60% of sightings resemble seals or swimming dogs, and 20% of sightings are of long-necked creatures with small heads; the remaining descriptions are ambiguous beyond categorization. The seal-dog variety is most often described as being between 4 and 6 feet long with a shaggy black or brown. According to reports, these bunyips have round heads resembling a, prominent ears, no tail, and whiskers like a seal or otter. The long-necked variety is allegedly between 5 and 15 feet long, and is said to have black or brown fur, large ears, small tusks, a head like a horse or, an elongated, maned neck about three feet long and with many folds of skin, and a horse-like tail.

The bunyip has been described by natives as amphibious, nocturnal, and inhabiting lakes, rivers, and swamps. Bunyips, according to Aborigines, can swim swiftly with fins or flippers, have a loud, roaring call, and feed on, though some legends portray them as bloodthirsty predators of humans, particularly women and children. Bunyip eggs are allegedly laid in nests. Debate over origins of the bunyip Non-Aboriginal Australians have made various attempts to understand and explain the origins of the bunyip as a physical entity over the past 150 years. Writing in 1933, Charles Fenner suggested that it was likely that the 'actual origin of the bunyip myth lies in the fact that from time to time seals have made their way up the Murray and Darling (Rivers)'. He provided examples of seals found as far inland as, and and reminded readers that 'the smooth fur, prominent 'apricot' eyes, and the bellowing cry are characteristic of the seal', especially and.Another suggestion is that the bunyip may be a of extinct Australian marsupials such as the,.

This connection was first formally made by Dr George Bennett of the Australian Museum in 1871. In the early 1990s, palaeontologist Pat Vickers-Rich and geologist Neil Archbold also cautiously suggested that Aboriginal legends 'perhaps had stemmed from an acquaintance with prehistoric bones or even living prehistoric animals themselves. When confronted with the remains of some of the now extinct Australian marsupials, Aborigines would often identify them as the bunyip.' They also note that 'legends about the mihirung paringmal of western Victorian Aborigines. May allude to the. Extinct giant birds the.' In a 2017 article, Karl Brandt suggested Aboriginal encounters with the inspired the myth.

According to the first written description of the bunyip from 1845, the creature, which laid pale blue eggs of immense size, possessed deadly claws, powerful hind legs, a brightly coloured chest, and an -like head, characteristics shared with then undiscovered Australian cassowary. As the creature's bill was described as having serrated projections, each 'like the bone of the ', this bunyip was associated with the indigenous people of, renowned for their spears tipped with stingray barbs and their proximity to the cassowary's Australian range.Another association to the bunyip is the shy Australasian bittern ( ). During the breeding season, the male call of this marsh-dwelling bird is a 'low pitched boom'; hence, it is occasionally called the 'bunyip bird'. Early accounts of European settlers. An 1882 illustration of an Aboriginal man telling the story of the bunyip to two European childrenDuring the early settlement of Australia by Europeans, the notion became commonly held that the bunyip was an unknown animal that awaited discovery. Unfamiliar with the sights and sounds of the island continent's peculiar fauna, early Europeans believed that the bunyip described to them was one more strange Australian animal and they sometimes attributed unfamiliar animal calls or cries to it.

Scholars suggest also that 19th-century bunyip lore was reinforced by imported European folklore, such as that of the Irish.A large number of bunyip sightings occurred during the 1840s and 1850s, particularly in the southeastern colonies of, and, as European settlers extended their reach. The following is not an exhaustive list of accounts:Hume find of 1818 One of the earliest accounts relating to a large unknown freshwater animal was in 1818, when and James Meehan found some large bones at in. They did not call the animal a bunyip, but described the remains indicating the creature as very much like a. The Philosophical Society of Australasia later offered to reimburse Hume for any costs incurred in recovering a specimen of the unknown animal, but for various reasons, Hume did not return to the lake. Ancient skeletons have sometimes been compared to the hippopotamus; they are a land animal, but have sometimes been found in a lake or water course. Wellington Caves fossils, 1830 More significant was the discovery of fossilised bones of 'some quadruped much larger than the ox or buffalo' in the in mid-1830 by bushman George Ranken and later. Sydney's Reverend announced the find as 'convincing proof of the deluge', referring to Biblical accounts of the Flood.

But British anatomist identified the fossils as the gigantic marsupials. At the same time, some settlers observed that 'all natives throughout these. Districts have a tradition (of) a very large animal having at one time existed in the large creeks and rivers and by many it is said that such animals now exist.'

First written use of the word bunyip, 1845 In July 1845, The announced the discovery of fossils found near, under the headline 'Wonderful Discovery of a new Animal'. This was a continuation of a story on 'fossil remains' from the previous issue.

The newspaper continued, 'On the bone being shown to an intelligent black, he at once recognised it as belonging to the bunyip, which he declared he had seen. On being requested to make a drawing of it, he did so without hesitation.' The account noted a story of an Aboriginal woman being killed by a bunyip and the 'most direct evidence of all' – that of a man named Mumbowran 'who showed several deep wounds on his breast made by the claws of the animal'.The account provided this description of the creature:The Bunyip, then, is represented as uniting the characteristics of a bird and of an alligator. It has a head resembling an emu, with a long bill, at the extremity of which is a transverse projection on each side, with serrated edges like the bone of the stingray.

Its body and legs partake of the nature of the alligator. The hind legs are remarkably thick and strong, and the fore legs are much longer, but still of great strength. The extremities are furnished with long claws, but the blacks say its usual method of killing its prey is by hugging it to death.

When in the water it swims like a frog, and when on shore it walks on its hind legs with its head erect, in which position it measures twelve or thirteen feet in height.Shortly after this account appeared, it was repeated in other Australian newspapers. This appears to be the first use of the word bunyip in a written publication.Australian Museum's bunyip of 1847. The purported bunyip skullIn January 1846, a peculiar skull was taken by a settler from the banks of near, New South Wales. Initial reports suggested that it was the skull of something unknown to science. The squatter who found it remarked, 'all the natives to whom it was shown called it a bunyip'. By July 1847, several experts, including W.

Macleay and Professor Owen, had identified the skull as the deformed foetal skull of a foal or calf. At the same time, the purported bunyip skull was put on display in the (Sydney) for two days. Visitors flocked to see it, and reported that many people spoke out about their 'bunyip sightings'. Reports of this discovery used the phrase 'Kine Pratie' as well as Bunyip. Explorer, who examined the skull, also called it a 'katen-pai'.In March of that year 'a bunyip or an immense Platibus' was sighted 'sunning himself on the placid bosom of the Yarra, just opposite the Custom House' in. 'Immediately a crowd gathered' and three men set off by boat 'to secure the stranger' which 'disappeared' when they were 'about a yard from him'. William Buckley's account of bunyips, 1852 Another early written account is attributed to escaped convict in his 1852 biography of thirty years living with the people. Balancelot.

His 1852 account records 'in. Lake Moodewarri now Lake Modewarre as well as in most of the others inland.

Very extraordinary amphibious animal, which the natives call Bunyip.' Buckley's account suggests he saw such a creature on several occasions. He adds, 'I could never see any part, except the back, which appeared to be covered with feathers of a dusky grey colour. It seemed to be about the size of a full grown calf.

I could never learn from any of the natives that they had seen either the head or tail.' Buckley also claimed the creature was common in the and cites an example he heard of an Aboriginal woman being killed by one. He emphasized the bunyip was believed to have supernatural powers. Stocqueler's sightings and drawings, 1857 In an article titled, 'The Bunyip', a newspaper reported on the drawings made by as he travelled on the Murray and Goulburn rivers: 'Amongst the latter drawings we noticed a likeness of the Bunyip, or rather a view of the neck and shoulders of the animal. Stocqueler informs us that the Bunyip is a large freshwater seal, having two small padules or fins attached to the shoulders, a long swan like neck, a head like a dog, and a curious bag hanging under the jaw, resembling the pouch of the pelican. The animal is covered with hair, like the platypus, and the colour is a glossy black. Stocqueler saw no less than six of these curious animals at different times; his boat was within thirty feet of one near M'Guire's punt on the Goulburn, and he fired at the Bunyip, but did not succeed in capturing him.

The smallest appeared to be about five feet in length, and the largest exceeded fifteen feet. The head of the largest was the size of a bullock's head, and three feet out of water. After taking a sketch of the animal, Mr. Stocqueler showed it to several blacks of the Goulburn tribe, who declared that the picture was 'Bunyip's brother,' meaning a duplicate or likeness of the bunyip.

The animals moved against the current, at the rate of about seven miles an hour, and Mr. Stockqueler states that he could have approached close to the specimens he observed, had he not been deterred by the stories of the natives concerning the power and fury of the bunyip, and by the fact that his gun had only a single barrel, and his boat was of a very frail description.' The description varied across newspaper accounts: 'The great Bunyip question seems likely to be brought to a close, as a Mr. Stocqueler, an artist and gentleman, who has come up the Murray in a small boat, states that he saw one, and was enabled to take a drawing of this 'vexed question,' but could not succeed in catching him.

We have seen the sketch, and it puts us in mind of an hybrid between the water mole and the great sea serpent.' Stocqueler, an artist, and his mother are on an expedition down the Murray, for the purpose of making some faithful sketches of the views on this fine stream, as well as of the creatures frequenting it.

I have seen some of their productions, and as they pourtray localities with which I am well acquainted, can pronounce the drawings faithful representations. Mother and son go down the stream in a canoe. The lady paints flowers, &c.; the son devotes himself to choice views on the river's side. One of the drawings represents a singular creature, which the artist is unable to classify. It has the appearance in miniature of the famous sea-serpent, as that animal is described by navigators. Stocqueler was about twenty-five yards distant from it at first sight as it lay placidly on the water.

On being observed, the stranger set-off, working his paddles briskly, and rapidly disappeared. Captain Cadell has tried to solve the mystery, but is not yet satisfied as to what the animal really is. Stocqueler states that there were about two feet of it above water when he first saw it, and he estimated its length at from five to six feet. The worthy Captain says, that unless the creature is the 'Musk Drake' (so called from giving off a very strong odour of musk), he cannot account for the novelty.' Stocqueler disputed the newspaper descriptions in a letter; stating that he never called the animal a bunyip, it did not have a swan like neck, and he never said anything about the size of the animal as he never saw the whole body. He went on to write that all would be revealed in his diorama as an 'almost life size portrait of the beast' would be included. The diorama took him four years to paint and was reputed to be a mile (1.6 km) long and made of 70 individual pictures.

The diorama has long since disappeared and may no longer exist. In popular culture and fiction. The Bunyip newspaper is a local weekly newspaper published in the town of. First published as a pamphlet by the Gawler Humbug Society in 1863, the name was chosen because 'the Bunyip is the true type of Australian Humbug!' . The House of the Gentle Bunyip, built in the 1860s, is located in, Victoria. It has been redeveloped as housing for low-income people.Numerous tales of the bunyip in written literature appeared in the 19th and early 20th centuries.

One of the earliest known is a story in 's (1904). Well known Australian author Colin Thiele wrote Gloop The Gloomy Bunyip an illustrated children's book published in 1962. The character Alexander Bunyip, created by children's author and illustrator Michael Salmon, first appeared in print in The Monster That Ate Canberra (1972). Salmon featured the Bunyip character in many other books and adapted his work as a live-action television series,. A statue of Alexander Bunyip was installed in front of the Library in 2011. The artwork by Anne Ross, called A is for Alexander, B is for Bunyip, C is for Canberra, was commissioned by the ACT Government for Gungahlin's $3.8 million town park.

(1916) ragtime musical comedy or the long title 'the enchantment of fairy princess wattle blossom' by Ella Palzier Campbell (AKA Ella Airlie) toured nine venues in three states for a year with Fuller Brothers theatre circuit. Music was supplied by a number of Australian Stage Personalities including Vince Courtney, Herbert De Pinna, Fred Monument and James Kendis.The Australian tourism boom of the 1970s brought a renewed interest in bunyip mythology.

(1972) A coin-operated bunyip was built by Dennis Newell at, South Australia, at Sturt Reserve on the town's riverfront. Jenny Wagner published a children's picture book, The Bunyip of Berkeley's Creek (1973).

(1977) The film contains a song 'The Bunyip (Bunyip Moon)'. The bunyip was the subject of a.

(1982) Children's picture book The Ballad of the Blue Lake Bunyip. (1996) Australian children's author wrote several bunyip tales, including the short story 'Bunyip's Gift', collected in the anthology Mind's Eye. (1986) The Australian film centres around the search for a bunyip called Donkegin. (2016) The independent Australian film was released in 2016. It tells about two estranged brothers who find themselves stalked by the Bunyip.Bunyip stories have also been published outside Australia. (1937) wrote a novel ( Mountain of The Moon ) that included an account of a bunyip. The novel was adapted as a, released in late 2013.

The bunyip was portrayed as the primary threat to the treasure seekers in the wilderness of the mountains in southern Africa. In the novel, the bunyip is described as a three-toed ape-like. In the early 1950s, was a popular character on a series on Channel 3 in, Pennsylvania.

(1992) The role playing game, Werewolf: The Apocalypse, appropriates the Bunyip legend as having the Bunyip actually be a tribe of Australian native Garou, or werewolves. However, they are not playable in the game as, according to the game's lore, they were driven to extinction by the European werewolves during the colonisation of Australia.In the 21st century the bunyip has been featured in works around the world. (2002) The video game series portrays Bunyips as peaceful mystical elders who inhabit the world of The Dreaming, though not as ferocious as their namesake and resembling primates. The robotic suits that Ty can pilot in and are named after the Bunyips, such as Shadow Bunyip, Battle Bunyip and Missile Bunyips. (2009) A character named Bruce Bunyip appears in the children's book The Neddiad by American. He is initially described as 'big and swarthy, and had tiny eyes, a scowl and his eyebrows grew together' and later says he is a monster.

(2009) Bunyips appeared as the focus cryptids in an episode of; however, they were depicted as small, troublemaking creatures instead of monsters. (2010) Bunyips appear in 's fantasy novel. (2014) In the novel Afterworlds one of the characters is the author of a fictional book named Bunyip. (2014) The fantasy novel, Queen of the Dark Things, by C. Robert Cargill, features the 'Bunyip' throughout the story.

(2019) The Bunyip is among the monitored by Monarch in the film.See also., a creature from Australian Aboriginal mythology., or Wowee, a creature that has its origins in Australian Aboriginal mythology., a natural phenomenon that may have influenced Australian Aboriginal mythology., a common motif in the art and mythology of Aboriginal Australia., inventor of the Bunyip Slipper Imp, a plough for developing watersheds., a fictitious Australian mammal., a similar North American creature of legendNotes. Wannan, Bill (1976) 1970. Australian Folklore.

Landsdowne Press. P. 101., p. 22–24. ^ Hughes, Joan, ed. Australian Words and Their Origins.

Oxford University Press. P. 90. Butler, Susan (2009). The Dinkum Dictionary: The origin of Australian Words.

Text Publishing. P. 53., p. 15. See for example, ', Kath Walker's story collected in Stradbroke Dreamtime. ^ Davey, Gwenda; Seal, Graham, eds. The Oxford Companion to Australian Folklore. Oxford University Press.

Pp. 55–56. Eberhart, George M. Mysterious Creatures: A Guide to Cryptozoology.

Pp. 74–77. Gilmore, David D. Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors. University of Pennsylvania Press. P. 150. McGillivray, Don (15 August 1994). 'But those names will never hurt them'.

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Johns cited in, p. 176., p. 176. Smyth cited in, p. 175.

Tony Healy and Paul Cropper, Out of the Shadows: Mysterious Animals of Australia (Chippendale, N.S.W., Australia: Ironbark, 1994), pp. 161–180., pp. 2–6., p. 90. ^ Vikers-Rich, Pat; Monaghan, J.M.; Baird, R.F.; Rich, T.H., eds. (1991), Pioneer Design Studio and Monash University, p.,. Brandt, Karl (June 2017). 'Bunyip Hunters'. Australian Birdlife.

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This edition, Text Publishing, Melbourne Australia. P.66. Tim Flannery(Ed.)(2002) The Life and Adventures of William Buckley. 138 – 9. – via Trove (National Library of Australia).

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The Bunyip (Gawler's Weekly Newspaper). Archived from on 21 July 2006. Beneath the nineteenth-century dignity of colonial Gawler ran an undercurrent of excitement. Somewhere in the mildness of the spring afternoon an antiquated press clacked out a monotonous rhythm with a purpose never before known in the town. Then the undercurrent burst in a wave of jubilation—Gawler's first newspaper, The Bunyip, was on the streets. The 1860s house was saved from demolition by community action and redeveloped as a home for low-income people.

Salmon, Michael (2004). The Monster That Ate Canberra. Holden, Robert. Bunyips: Australia's folklore of fear.

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Contents.Voice talent. Ellie -. Meade -. Deanu -. Zoe -.

Ethan -. Priscilla -Controversy According to the game developers, there was pressure from publishers not to feature a young female lead. Peter Ong, the co-founder of DreamRift and director of Monster Tale, told that 'this choice was actually somewhat controversial with some publishers. Our experience was that many publishers are looking to avert the risk of a main character that hasn't been proven to capture large audiences. As a result, there was some concern from publishers that Ellie should change to a male or a more mature/sexy female.'

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'Monster Tale'. P. 90. Cole, Michael (February 11, 2011). Nintendo World Report.

Retrieved May 26, 2016. Luke (July 13, 2011). Fork This Llama. Retrieved April 6, 2015. Osborn, Alex (March 29, 2015). Retrieved April 6, 2015.External links. at.