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If you’re a scholar of comedy, “Drunk Stoned Brilliant Dead:The Story of the National Lampoon,” a concise doc about the founding, life,thriving, and death of the '70s-defining satirical magazine, is likely amust-see. Zed survival gameplay. It’s an engaging and entertaining film, filled with funny anecdotesexpertly related. It contains some notable “get” interviews. The magazine’sreticent co-founder, Henry Beard, the buttoned-down superego to his Wildmancohort Doug Kenney, appears on camera throughout, which was a surprise to me:Beard, while still an active writer and editor, has kept a downright reclusivepublic profile in the years since the magazine folded. Of course, if you are a scholar of comedy, you probablyalready own the coffee table book, edited by former Lampoon contributor RickMeyerowitz, also called “Drunk Stoned Brilliant Dead,” which tells the story ofthe magazine and some of its most notorious staffers. That book also featuresgenerous samplings of the magazine’s work, which the movie, directed by DouglasTirola, can only offer piecemeal, or mutated via animation, a very populartactic in documentaries nowadays.

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What the movie offers that the book can’t areexciting clips from the Lampoon’s stage show, which featured performances byfuture screen comedy icons such as, ChristopherGuest, Gilda Radner, and many more.